Modernism and the Museum: Asian, African, and Pacific Art and the London Avant-G

Description: Modernism and the Museum by Rupert Richard Arrowsmith By demonstrating that many of the concepts and styles associated with Modernism were actually derived directly from cultures such as Japan, China, Korea, India, Egypt, Assyria, West Africa, and the Pacific Islands, this book provides an entirely new way of looking at the evolution of Modernist art and literature in the West. FORMAT Hardcover LANGUAGE English CONDITION Brand New Publisher Description Modernism and the Museum proposes an entirely new way of looking at the evolution of Modernist art and literature in the West. It shows that existing surveys of Modernism tend to treat the early stages of the movement as a purely European phenomenon, and fail to take account of the powerful and direct influence of Asia, Africa, and the Pacific islands operating via museums and exhibitions, particularly in London. The book presents the poet Ezra Pound and the sculptor Jacob Epstein as two seminal figures whose development of a Modernist aesthetic depended almost entirely on innovations adapted from extra-European visual art, and makes similar revelations about the work of related figures such as Henri Gaudier-Brzeska, Eric Gill, T.E. Hulme, Laurence Binyon, Richard Aldington, Amy Lowell, Charles Holden, William Rothenstein, Ford Madox Ford, James Gould Fletcher, James Havard Thomas, W.B. Yeats, and D.H. Lawrence. The writing is engaging, but the scholarship is rigorous, and a large quantity of previously unpublished evidence is made available from the British Museum, the Victoria and Albert Museum, the Royal Institute of British architects, the Tate Gallery, and several private collections. The book positions the museums of London - and especially the British Museum - as the Wests most significant hub of transcultural aesthetic exchange during the early Twentieth century. It essentially proposes that, far from representing a development rooted in provincial European culture, Modernism was in fact the result of an unprecedented willingness in the avant-garde of the West to engage with the rest of the world. Author Biography Rupert Richard Arrowsmith grew up in Kenya, the Seychelles, and Cornwall in the Southwest of England. He has an MA from UCL, and completed his DPhil at Oxford University (Christ Church) in 2008. He has spent more than ten years studying and teaching in various parts of Asia - including long periods in Japan, Burma, Singapore, and India - and has previously lectured at Oxford and SOAS. His research focuses on transcultural tendencies in literature and visual art, particularly with regard to influences from Eastern and Southern Asia on global culture during the twentieth and twenty-first centuries. Table of Contents INTRODUCTION ; 1. The Dead Hand of Athens: Jacob Epstein, James Havard Thomas, and Provincialism in European Art ; 2. An Indian Temple on the Strand: Charles Holden, Ananda Coomaraswamy, and Londons First Modernist Sculptures ; 3. Haunting the Reading Room: Ezra Pound and the British Museums Egyptian and Assyrian Collections ; 4. Nineveh, Amarna, Kyoto: Gill, Epstein, Gaudier-Brzeska, and the Direct Carving Revolution ; 5. Little Japanese Pictures: Ezra Pound, Laurence Binyon, and the British Museum Print Room ; 6. China in Whitechapel; Japan in Shepherds Bush, Aldington, Ford, Pound, Fletcher, and Lowell ; 7. The More Serious Art that One Likes: T.E. Hulme, Jacob Epstein, and the Making of a Global Classicism ; 8. The Benin Things are Fine, Fine: The Art of Africa and the Pacific Islands The Art of Africa and the Pacific Islands The Art of Africa and the Pacific Islands in Pre-War London ; 9. Kuanon of all Delights: Seven Lakes, Eight Views, and the Korean Goddess of The Cantos ; SELECT BIBLIOGRAPHY Review Arrowsmith is well versed in most, if not all, the many aspects of global artistic production referenced in this book and writes knowledgeably about Asian, African, and Paci?c objects as well as about London Modernism (itself other to the self-elected metropoles of Paris and New York). It is a rare scholar who can move with such expertise across these ?elds, each with its own historiography. * Tim Barringer, The American Historical Review *Modernism and the Museum is a major achievement, a compelling, insightful and rigorous study of the cross-cultural nature of modernism and its basis in the metropolitan museum. It will be of interest to scholars of modernism in literature and the visual arts, critical museum studies, British colonialism and histories of cosmopolitanism. * Sonal Khullar, Wasafiri 70 *By dint of diligent work in various archives, Arrowsmith has found significant new information about the early influences on Epstein in particular, and his work on Pound will help scholars adjust their accounts of his engagement with China and Japan. Throughout the study, there is a weight of new and unexpected detail and a care for the specific, from the exact layout of each museum in the relevant years to the hours and terms of study in each collection. * Michael North, Review of English Studies *Rupert Richard Arrowsmiths ^ * Andrew Radford, Years Work in English Studies *I cannot remember when I last came upon a book as stimulating as Rupert Richard Arrowsmiths Modernism and the Museum: Asian, African and Pacific Art and the London Avant-Garde. Arrowsmith is that rare thing, an art historian who is equally well informed about the traditions of West and East, modern and pre-modern... Modernism and the Museum is a marvelously rich work: in illuminating some of the neglected conjunctions and confluences of the past Arrowsmith also shines a light towards exciting new possibilities ahead. * Amitav Ghosh, *Rupert Richard Arrowsmiths book is essential in understanding the actualities of how transcultural aesthetic exchange functioned in Western modernism ... Arrowsmiths important new research identifies museum holdings which directly informed the sculpture of Epstein and Gaudier-Brzeska, and in doing so he sheds new light on the ways in which we can understand and interpret their work. * Routledge Annotated Bibliography of English Studies * Long Description Modernism and the Museum proposes an entirely new way of looking at the evolution of Modernist art and literature in the West. It shows that existing surveys of Modernism tend to treat the early stages of the movement as a purely European phenomenon, and fail to take account of the powerful and direct influence of Asia, Africa, and the Pacific islands operating via museums and exhibitions, particularly in London. The book presents the poet Ezra Pound andthe sculptor Jacob Epstein as two seminal figures whose development of a Modernist aesthetic depended almost entirely on innovations adapted from extra-European visual art, and makes similar revelations about the work of related figures such as Henri Gaudier-Brzeska, Eric Gill, T.E. Hulme, Laurence Binyon,Richard Aldington, Amy Lowell, Charles Holden, William Rothenstein, Ford Madox Ford, James Gould Fletcher, James Havard Thomas, W.B. Yeats, and D.H. Lawrence. The writing is engaging, but the scholarship is rigorous, and a large quantity of previously unpublished evidence is made available from the British Museum, the Victoria and Albert Museum, the Royal Institute of British architects, the Tate Gallery, and several private collections. The book positions the museums of London - andespecially the British Museum - as the Wests most significant hub of transcultural aesthetic exchange during the early Twentieth century. It essentially proposes that, far from representing a development rooted in provincial European culture, Modernism was in fact the result of an unprecedented willingnessin the avant-garde of the West to engage with the rest of the world. Review Quote Rupert Richard Arrowsmiths book is essential in understanding the actualities of how transcultural aesthetic exchange functioned in Western modernism ... Arrowsmiths important new research identifies museum holdings which directly informed the sculpture of Epstein and Gaudier-Brzeska, and in doing so he sheds new light on the ways in which we can understand and interpret their work. Details ISBN0199593698 Series Oxford English Monographs Language English ISBN-10 0199593698 ISBN-13 9780199593699 Media Book Format Hardcover Author Rupert Richard Arrowsmith Short Title MODERNISM & THE MUSEUM Year 2010 Publication Date 2010-11-25 Subtitle Asian, African, and Pacific Art and the London Avant-Garde UK Release Date 2010-11-25 Imprint Oxford University Press Place of Publication Oxford Country of Publication United Kingdom AU Release Date 2010-11-25 NZ Release Date 2010-11-25 Pages 244 Publisher Oxford University Press DEWEY 700.4112 Illustrations 47 black and white halftones Audience Undergraduate We've got this At The Nile, if you're looking for it, we've got it. 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