Stereolab - Emperor Tomato Ketchup (Expanded Edition) (2xLP, Album, RE, RM + LP

Description: Media Condition : Mint (M) Sleeve Condition : Near Mint (NM or M-) Sealed copy Notes : Inner panel: Tracks A1 to A3, B2 to B4, C3, D2 recorded at Blackwing Studios London. Tracks B1, C1, C3, D3 recorded at Idful Music Corp. Chicago. Remastered at Calyx, Berlin. Thankyou to: [a266089], Bryan Smith, [url=https://www.discogs.com/artist/56273-Douglas-McCombs]Doug McCombs[/url], [a55549], [a44570], [a254025], [a55122], [a60682], Piggy, Mike McCutchen, [a194127], Chris Holmes, Brian Welsh, [a587991], [a266586], [a587939], [a1212860], Bettina Richards, C. Castoriadis, [a10945], Darren B, Steve, C, Tanya S, Brigitte F, Nicolas E, [a3824615], [a3506178], Brian O'Neill, Grubb, [a388667], [a97498] & [a567144]. Sleeve at Trouble Published by Domino Publishing Co. Ltd Contact martin[url=https://www.discogs.com/artist/4916007-Associated-London-Management]associatedlondonmanagement[/url].com On 24" x 24" poster: Original sound recording made by Duophonic Ultra High Frequency Disks 1996 P 1996 Duophonic Ultra High Frequency Disks C 2019 Warp Records - "Metronomic Underground" originally called "Chrome Tubby". The second track written for "Emperor Tomato Ketchup". This was the beginning of the 'arranged in the studio / studio as instrument" approach that [Stereolab] would adopt. There were no computers or samplers used in recording "Emperor Tomato Ketchup". "Cybele's Reverie", the [url=https://www.discogs.com/Stereolab-Cybeles-Reverie/master/41125]single[/url] from the LP (not forgetting the US promo "[url=https://www.discogs.com/Stereolab-The-Noise-Of-Carpet/release/2238794]Noise Of Carpet[/url]"). It was released as a single in edited form. "Percolator" [is] in 7/8 time. "Les Yper-Sound", the first song on the LP to be recorded in Chicago. John ended up gating/shaping the guitar chords with a hi-hat pattern and then filtering it through a synthesizer. "OLV 26", an earlier attempt at this basic electronic rifferama in early [a4654] style became part of the "[m=41134]" recording with [a26101]. "The Noise Of Carpet" was indeed a kind of [url=https://www.discogs.com/Stereolab-The-Noise-Of-Carpet/release/2238794]single[/url] in the US, albeit a promo. "Emperor Tomato Ketchup", sped up the vocals by slowing the tape down. This was all done on the demo which normally meant the vocal melody was too high to sing. Instead of changing the key of the song to suit the vocal range [Stereolab] again slowed the tape down because [they] liked the effect of speeding up the vocals. This is a track that would have turned out totally different if [they] had recorded it in London. "Motoroller Scalatron", another Lab song named after a keyboard instrument. This was Duncan's last record with [Stereolab]. Morgane had only learnt the organ just before joining the band and this was her first record with [them] (give or take some [url=https://www.discogs.com/Stereolab-Fuxa-You-Used-To-Call-Me-Sadness-Skyhigh/master/200421]limited 7"[/url] or something). "Slow Fast Hazel", demo on the Fostex cassette recorder. "Anonymous Collective", final song on the LP and final song recorded at Idful, Chicago. Freestyle Dumpling / Percolator (Original Mix Version) "Freestyle Dumpling" was recorded in London for Emperor Tomato Ketchup but didn't make the LP. It was released a couple of years later as one side of a 7" single available with the Japaenese [url=https://www.discogs.com/Stereolab-Aluminum-Tunes/release/1918875]boxset edition[/url] of [m=30666], where it was incorrectly titled as "Freestyle Dumping". [Tim Gane] invited Ray to come down to Blackwing Studios during the early stages of recording the album to add saxophone on a number of tracks, but on the final LP Ray only appears at the very end of "Percolator". After two weeks of recording [Stereolab] had about ten tracks of just drums with bass and alto sax playing exactly the same thing laid of the top of

Price: 43 USD

Location: Santa Cruz, California

End Time: 2024-02-05T07:33:28.000Z

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